Alma Tadema
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8 January 1836 – 25 June 1912. Most renowned painters.

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george frederic watts,o.m.,r.a.
An Umbriam Landscape (mk37)

ID: 25402

george frederic watts,o.m.,r.a. An Umbriam Landscape (mk37)
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george frederic watts,o.m.,r.a. An Umbriam Landscape (mk37)


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george frederic watts,o.m.,r.a.

1817-1904  Related Paintings of george frederic watts,o.m.,r.a. :. | Hope | The Minotaur | The Rider on the Black Horse (mk37) | Ganymede (mk37) | Dweller in the Innermost |
Related Artists:
Nicolas Vleughels
French , Paris 1668/69-Rome 1737
Duccio
1255-c1319 Italian Duccio Location Italian painter. He was one of the most important painters of the 14th century and like his slightly younger contemporary, Giotto, was a major influence on the course of Italian painting. An innovator, he introduced into Sienese painting new altarpiece designs, a dramatic use of landscape, expressive emotional relationships, extremely complex spatial structures and a subtle interplay of colour. His most important and revolutionary work, the Maeste for Siena Cathedral, was never matched during the 14th century, if at all, and his influence lasted well into the 15th century.
EYBL, Franz
1805, Vienna - 1880, Vienna,Austrian painter and lithographer. He entered the Vienna Akademie at the age of ten, studying sculpture under Josef Klieber and landscape painting (1817-20) with Joseph Messmer (1780-1845), from whom he also learnt the new technique of lithography. He then spent three years with Johann Baptist Lampi (i) and Franz Caucig (1762-1828), drawing after antique statues and casts. He studied history painting (1823-8), during which period he came under the influence of Johann Peter Krafft, who introduced him to the principles of realism, suggesting that he work directly from nature and reflect contemporary, everyday subject-matter in his painting. Together with Josef Danhauser and Matthias Ranftl (1805-54), Eybl was among the most significant followers of Krafft's ideas,






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